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Adobe illustrator cs6 classroom in a book lesson files free download |
Adobe illustrator cs6 classroom in a book lesson files free download -
The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law.
The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. Any references to company names in sample files are for demonstration purposes only and are not intended to refer to any actual organization.
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For the latest on Adobe Press books, go to www. To report errors, please send a note to errata peachpit. For information on getting permission for reprints and excerpts, contact permissions peachpit. Please note that these files are available to eBook readers via high-speed download.
Please click here to go to the last page in this eBook for the download location and instructions. The diagram below represents the contents of the lesson files directory, which should help you locate the files you need. You will need to download these lesson folders to your hard drive before you can begin each lesson.
Just open it in your Web browser and click on the links, including a special link to this book's product page where you can access updates and bonus material. Whether you are a designer or a technical illustrator producing artwork for print publishing, an artist producing multimedia graphics, or a creator of web pages or online content, Adobe Illustrator offers you the tools you need to get professional-quality results.
The lessons are designed so that you can learn at your own pace. If you're new to Adobe Illustrator, you'll learn the fundamentals you need to master to put the application to work. If you are an experienced user, you'll find that Classroom in a Book teaches many advanced features, including tips and techniques for using the latest version of Adobe Illustrator. Although each lesson provides step-by-step instructions for creating a specific project, there's room for exploration and experimentation.
You can follow the book from start to finish, or do only the lessons that correspond to your interests and needs.
Each lesson concludes with a review section summarizing what you've covered. Prerequisites Before beginning to use Adobe Illustrator CS6 Classroom in a Book , you should have working knowledge of your computer and its operating system. Make sure that you know how to use the mouse and standard menus and commands, and also how to open, save, and close files. If you need to review these techniques, see the printed or online documentation for your Windows or Mac OS.
Note: When instructions differ by platform, Windows commands appear first, and then the Mac OS commands, with the platform noted in parentheses. For complete instructions on installing the software, see the Adobe Illustrator Read Me file on the application DVD or on the web at www.
Fonts used in this book The Classroom in a Book lesson files use the fonts that come with Adobe Illustrator CS6 and install with the product for your convenience. Each lesson has its own folder. You must install these folders on your hard disk to use the files for the lessons. To save room on your hard disk, you can install the folder for each lesson as you need it. Each time you quit Adobe Illustrator, the position of the panels and certain command settings are recorded in different preference files.
If you want to restore the tools and settings to their original default settings, you can delete the current Adobe Illustrator CS6 preferences file. You must restore the default preferences for Illustrator before you begin each lesson. This ensures that the tools and panels function as described in this book. When you have finished the book, you can restore your saved settings.
The preferences file is created after you quit the program the first time and is updated thereafter. Find the original preferences file that you saved and move it to the Adobe Illustrator CS6 Settings folder. Note: You can move the original preferences file rather than renaming it. Additional resources Adobe Illustrator CS6 Classroom in a Book is not meant to replace documentation that comes with the program or to be a comprehensive reference for every feature. Only the commands and options used in the lessons are explained in this book.
For comprehensive information about program features and tutorials, please refer to these resources: Adobe Community Help: Community Help brings together active Adobe product users, Adobe product team members, authors, and experts to give you the most useful, relevant, and up-to-date information about Adobe products.
Adobe content is updated based on community feedback and contributions. You can add comments to both content or forums — including links to web content, publish your own content using Community Publishing, or contribute Cookbook Recipes. Find out how to contribute at www. Adobe Illustrator Help and Support: www. Adobe Forums: forums. Adobe TV: tv. Adobe Design Center: www.
Adobe Developer Connection: www. Resources for educators: www. Find solutions for education at all levels, including free curricula that use an integrated approach to teaching Adobe software and can be used to prepare for the Adobe Certified Associate exams. Adobe Illustrator CS6 product home page: www.
The Adobe Certified Expert program is a way for expert users to upgrade their credentials. You can use Adobe certification as a catalyst for getting a raise, finding a job, or promoting your expertise. If you are an ACE-level instructor, the Adobe Certified Instructor program takes your skills to the next level and gives you access to a wide range of Adobe resources.
Adobe Authorized Training Centers offer instructor-led courses and training on Adobe products, employing only Adobe Certified Instructors. For information on the Adobe Certified programs, visit www.
You can easily obtain these updates through Adobe Updater, as long as you have an active Internet connection. The Adobe Updater automatically checks for updates available for your Adobe software.
Note: Please note that when applying the updates for Illustrator, the Adobe Application Manager dialog box will ask you to close Illustrator if the application is running in the background.
Close Illustrator, continue the update, and then launch Illustrator again when the updates are completed. You can choose to update other Adobe applications too if their corresponding update is available from the dialog box. In this section, youll learn about many of these new features— how they function and how you can use them in your work. Efficient, flexible interface Over 40 new enhancements to the Illustrator user interface UI make working with your favorite tools smoother, more efficient, and more intuitive.
PLURAL IST The Plural I brand thatl of beauty, J We make j on our find the world The tools, panels, and controls are still where you expect them, but daily tasks take fewer steps and your interactions are faster and more direct— from inline editing of layer names to navigating the font menu.
Panel updates include expandable color-sampling areas and hex-value editing in the Color panel. You can edit names of layers, styles, and swatches directly in the panel, and the Character panel shows glyphs previously requiring multiple clicks to access.
Image Trace A completely new tracing engine in Illustrator CS6 makes the conversion of raster images to editable vector artwork easy and clean. Get sharper lines, with better shape fitting and more accurate color selection than with the Live Trace feature, introduced in CS2. Image Trace provides many of the same benefits but with far better results, produced more quickly, using intuitive, easy controls. No more struggling with complex options. Freely experiment with various types of layout or precisely control tiling and overlaps with automatically seamless repeats.
Overall performance optimization is apparent when you open, save, and export large files. Previews are faster, and interaction in general is more responsive. Transform a simple path into a visually complex and compelling shape. With complete control over gradient placement and opacity, you can use strokes rather than fills to create sophisticated artwork.
All of the Illustrator masking functionality is now exposed in the Transparency panel. We hope you enjoy working with Illustrator CS6 as much as we do. This lesson takes approximately an hour to complete. See "Copying the Classroom in a Book files" on page 2. Click OK. A new blank document appears. In the Save As dialog box, leave the name as signage. In the Illustrator Options dialog box, leave the Illustrator options at their default settings and then click OK.
For the first lesson of this book, you will be taken through a quick tour of the tools and features in Adobe Illustrator CS6, giving you a sense of the possibilities.
Along the way, you will build a sign for a chocolate company. This is the final artwork file. For this lesson, you will start with a blank document. Next, you will create a document with two artboards.
In the Control panel, above the artboards, click the Landscape button [3. Illustrator allows you to have artboards of differing sizes and orientations. Click the artboard on the right the vertical artboard to make it the active artboard. Drawing shapes and lines Drawing shapes is the cornerstone of Illustrator, and you will create many of them throughout these lessons. Next, you will create several shapes. Press and hold the Shift key, click and drag straight down to the bottom edge of the artboard.
Release the mouse button and then the Shift key. Press and hold the Shift key, and drag to the right, almost to the right edge of the artboard. Type 3. Press Enter or Return. Note: Depending on the resolution of your screen, the Transform options the Y value may not appear in the Control panel. Position the pointer below the horizontal line you just created circled in the figure.
Click and drag to create a rectangle that has a Width of 5. The new rectangle will have a stroke weight of 50 pt, which you will change. Press the letter D to apply the default fill and stroke to the rectangle. It doesn't have to be exact. Leave the extras. The spiral paths are grouped together, which means that if you select one, you select them all. Applying color Applying colors to artwork is a common Illustrator task. Click the Fill color in the Control panel to reveal the Swatches panel.
Select the Black swatch. Press the Escape key to hide the panel. Position the pointer over the brown colors. Change the stroke color. The result. Working with the Shape Builder tool The Shape Builder tool is an interactive tool for creating complex shapes by merging and erasing simpler shapes.
Next, you will change the rectangle you created, using the Shape Builder tool. Click and drag down and to the right edge of the rectangle, until you see a height of approximately 1 in in the gray measurement label.
Release the mouse button. Position the pointer over the blue center point of the ellipse, and drag straight up. Stop dragging when the pointer snaps to the top edge of the rectangle and the pointer turns white. In the Ellipse dialog box, change the Width to 1 in and the Eleight to 1 in.
It will snap. As you move the pointer around the artwork, the edges of each object will highlight. Position the pointer just above the ellipse at the top of the selected shapes see the X in the figure , and drag down into the rectangle.
This combines those two shapes into one. Holding down the Alt Windows or Options Mac OS key, drag into the portion of the circle that overlaps the corner of the rectangle so that the circle is cut out of the rectangle in the lower-left corner. Release the mouse button and then the key. Do the same for the circle in the lower-right corner. This removes the highlighted shapes.
Position the pointer as shown in the first part of the figure. When the gray measurement label shows a Width of approximately.
Click and drag down, away from the center of the line. When the measurement label shows a Width of 0, release the mouse button. Press the Down Arrow key on your keyboard several times to move the swirls down so that they are touching the path you just edited. Creating and editing gradients Gradients are color blends of two or more colors that you can apply to the fill or stroke of artwork. Next, you will apply a gradient to the stroke of a path.
Click the Apply Gradient Across Stroke button m. Press the Escape key to close the colors panel. Drag the color stop. Next, you will place an image of wood. Make sure that the Link option in the dialog box is selected, and click Place.
Illustrator recognizes when a file has been saved with Layer Comps and opens the Photoshop Import Options dialog box. The file in this example has been saved with two different Layer Comps.
Choose without text from the Layer Comp menu, and then click OK at the bottom of the dialog box. The image of the wood is placed on the artboard.
Next, you will trace the Photoshop file. The image is converted to vector paths, but it is not yet editable. Click the Auto-Color button m at the top of the Image Trace panel that appears.
Close the Image Trace panel. The Image Trace panel has many options for changing how the image is traced. The wood image is now a series of vector shapes that are grouped together. Working with the Color Guide panel The Color Guide panel can be used as a tool for color inspiration while you create your artwork.
Next, you will create and save a series of colors. Position the pointer over the brown swatches. Choose Shades from the Harmony Rules menu. This saves the colors at the top of the Color Guide panel as a color group in the Swatches panel. Illustrator provides sample swatches of each type in the default Swatches panel and lets you create your own patterns.
In this section, you will focus on creating, applying, and editing a pattern made of the wood. Click OK in the dialog box that appears. You can make a pattern from selected artwork or start with nothing.
The pattern is added as a saved swatch in the Swatches panel. Select Size Tile To Art. Change the H Spacing and V Spacing to This selects the wood group. The rest of the wood shapes that you see as part of the repeating pattern are there to help you visualize what the pattern will look like.
X LOOend. Click the Fill color in the Control panel, and choose the wood grain pattern swatch in the panel. Press the Escape key to hide the Swatches panel.
Next, you will edit the pattern swatch. In the Swatches panel, double-click the swatch named wood grain to edit the pattern. In the Adjust Colors dialog box, change the Cyan value to 80 and the Magenta value to The wood pattern now has a purple cast to it. Note: You're wood pattern may not be positioned within the sign shape exactly the same as in the figures and that's okay.
You will reposition the text later in the lesson. Type Fine Handmade Chocolates. Type adobe cas to filter the font list to Adobe Caslon Pro you may not need to type the entire phrase. Type 26 pt in the Font Size field, and press the Enter or Return key. See the figure for placement help. With the Selection tool, drag the pasted text shapes onto the sign rectangle, above the other text. Working with drawing modes Drawing modes allow you to draw inside of or behind existing shapes or to draw in the default Normal mode, which typically layers shapes on top of each other.
Next, you will paint inside of a rectangle, using a drawing mode. In the Rectangle dialog box, change the Width to 4. A green alignment guide will appear when it snaps. Create a rectangle. Drag the rectangle into position. Enter Draw Inside mode. Notice that the rectangle now has dotted lines around the corners, indicating that content that you paste or draw will be inside the rectangle shape. Working with brushes Brushes let you stylize the appearance of paths.
You can apply brush strokes to existing paths, or you can use the Paintbrush tool to draw a path and apply a brush stroke simultaneously. Scroll down in the panel, and click the Mop brush. Position the pointer over the left end of the rectangle you just created. Click and drag from left to right, past the right edge of the rectangle. Repeat this several times to partially fill the rectangle with the brown-colored strokes.
The idea is to create a wood grain. Select other brown stroke colors in the Control panel and try adding some new strokes to enhance the wood grain. Fine Handmade Chocolates bottom of the Tools panel, and 10 11 Drag the copied text object down on top of the rectangle that contains the painting.
Center it vertically as best you can. Tine Handmatk Chocolates. Select the Type tool T in the Tools panel, and click the copied text object to insert the cursor. Do not type the period. Choose Black from the Swatches panel. Change the Stroke weight to the right of the color to 10 pt. Press the Escape key to hide the panel that appears. Click the Stroke color at the top of the list in the Appearance panel, and select White.
Change the Stroke weight to 5 pt. Edit the stroke alignment. Add a new stroke. In the Offset Path dialog box, change the Offset to You may need to scroll down in the panel. In the Inner Glow dialog box, choose Darken from the Mode menu. Click the white color preview square next to the Blending Mode menu to specify a color for the glow in the Color Picker dialog box.
Click OK in the Color Picker. Change the Blur to 1 in, and click OK. In the Drop Shadow dialog box, choose Normal from the Mode menu. Change the X Offset and Y Offset to. Click OK in the Drop Shadow dialog box. Position the pointer just off the upper-left corner of the purple sign, in the blank area, and click. In the Ellipse dialog box, change the Width to. Position the pointer above the ellipse, on the horizontal path.
Drag until the gray measurement label shows a distance of 1. Type 75 pt into the first Dash field, and press the Enter or Return key to close the Stroke panel. Position the pointer. Drag to create a line. Change the Stroke options.
Shift-click the edge of the ellipse to select both objects. Drag the group toward the right edge of the sign shape. Release the mouse button and then the modifier keys.
If you don't see the Align options, click the word Align in the Control panel to open the Align panel. The number of options displayed in the Control panel depends on your screen resolution. Aligning content Next, you'll align the content for the sign horizontally. Working with perspective You will now create some chocolate pieces in perspective.
This centers the grid on the first artboard. Position the pointer over the Origin point at the bottom of the grid circled in the figure. Press the number 1 on the keyboard to ensure that you draw on the left grid plane. Click and drag up and to the left to create a rectangle that is three gridlines wide and two gridlines high. With the Rectangle tool selected, position the pointer over the origin point again.
Click and drag up and to the right to create a rectangle that is three gridlines wide and two gridlines high. Click and drag across, snapping the pointer to the upper-right point of the second rectangle you drew. Working with symbols A symbol is a reusable art object stored in the Symbols panel. You will now create a symbol from artwork. With the group still selected on the first artboard, click the New Symbol button D at the bottom of the Symbols panel.
The group of objects now appears as a saved symbol in the Symbols panel. Click the Next button Q in the lower-left corner of the Document window to navigate to the second artboard. Release the mouse button and then the keys when it roughly matches the size in the figure.
Resize the chocolate piece, making it smaller than the first. Position it as in the figure, and leave it selected. There is no difference between these two symbols in Illustrator. That's okay. Use the figure as a guide. Drag the symbol onto the artboard. Click the Graphic Styles panel icon H. Click the Drop Shadow graphic style to apply the appearance formatting. This lesson takes approximately 45 minutes to complete.
If needed, remove the previous lesson folder from your hard disk and copy the LessonOl folder onto it. To make the best use of the extensive drawing, painting, and editing capabilities of Adobe Illustrator CS6, it's important to learn how to navigate the workspace.
The workspace consists of the Application bar, the menus, Tools panel, Control panel, Document window, and the default set of panels. Click OK if you see this dialog box. Then, open the finished art file for this lesson to see an illustration.
Choosing to fit the artboard in the window fits the active artboard into the Document window so that you can see the entire artboard. The artwork file contains the front and back of a brochure. Docked on the right side of the screen, you will see the default panels that appear as icons. Illustrator also consolidates many of your most frequently accessed options in the Control panel below the menu bar.
This lets you work with fewer visible panels and gives you a larger area in which to work. In the Save As dialog box, name the file brochure. Click Save. If a warning dialog box appears referencing spot colors and transparency, click Continue. In the Illustrator Options dialog box, leave the options at their default settings and click OK.
Why use Adobe Illustrator? Vector graphics sometimes called vector shapes or vector objects are made up of lines and curves defined by mathematical objects called vectors, which describe an image according to its geometric characteristics. As a result, vector graphics are the best choice for artwork, such as logos, that will be used at various sizes and in various output media.
You create and manipulate your documents and files using various elements such as panels, bars, and windows. Any arrangement of these elements is called a workspace. When you first start Illustrator, you see the default workspace, which you can customize for the tasks you perform. You can create and save multiple workspaces — one for editing and another for viewing, for example — and switch between them as you work.
Below, the areas of the default workspace are described: A. Application bar B. Control panel C. Panels D. Tools panel E. Document window F. Status bar A. The Application bar across the top contains a workspace switcher, a menu bar Windows only, depending on screen resolution , and application controls. The Control panel displays options for the currently selected object. Panels help you monitor and modify your work. Certain panels are displayed by default, but you can add any panel by choosing it from the Window menu.
Many panels have menus with panel-specific options. Panels can be grouped, stacked, docked, or free-floating.
The Tools panel contains tools for creating and editing images, artwork, page elements, and more. Related tools are grouped together. The Status bar appears at the lower-left edge of the Document window. It displays information and navigation controls. This is a program preference setting that allows you to choose a brightness setting from four preset levels or to specify a custom value.
In this section, you will change the setting to see its effect, and then you will change it back to the program default. You can adjust the brightness of the user interface using set options in the Brightness menu. You can drag the Brightness slider beneath the Brightness menu to the left or to the right to adjust the overall brightness using a custom value. The canvas is the area outside of the artboards in your document.
Note: The Tools panel shown here and throughout the lesson has two columns. You may see a single-column Tools panel, depending on your screen resolution and workspace. You'll see additional selection tools. Drag to the right. Release the mouse button over the additional tool to select it. For more information, see "Keyboard Shortcuts" in Illustrator Help. Any tool in the Tools panel that displays a small triangle contains additional tools that can be selected in this way. Each click selects the next hidden tool in the hidden tool sequence.
Drag the pointer over the arrow at the end of the hidden tools panel, and release the mouse button. This separates the tools from the Tools panel so that you can access them at all times.
The tools return to the Tools panel. Next, you'll learn how to resize and float the Tools panel. Click the double arrow again to expand to two columns. Just be careful not to double- click the X or the double arrow.
The Tools panel is now floating in the workspace. Drag the Tools panel so that it floats in the workspace. Click again to display the Tools panel in two columns. When the pointer reaches the left edge, a translucent blue border, called the drop zone, appears. Release the mouse button to fit the Tools panel neatly into the side of the workspace. You can click text that is underlined to display a related panel For example, click the underlined word Stroke to display the Stroke panel By default, the Control panel is docked at the top of the application window Windows or screen Mac OS ; however, you can dock it at the bottom, float it, or hide it altogether.
Once the Control panel is free-floating, you can drag the dark gray gripper bar that appears on the left edge of the Control panel to move it to the top or bottom of the workspace. This resets the Essentials workspace. You'll learn more about resetting workspaces later in the lesson. When the pointer reaches the bottom of the Application window Windows or screen Mac OS , a blue line appears, indicating the drop zone in which it will be docked when you release the mouse button.
When the pointer reaches the bottom of the Application bar, a blue line appears indicating the drop zone. When you release the mouse button, the panel is docked. Working with panels Panels, which are located in the Window menu, give you quick access to many tools that make modifying artwork easier. By default, some panels are docked and appear as icons on the right side of the workspace.
Next, you'll experiment with hiding, closing, and opening panels. Notice that the Swatches panel appears with two other panels— the Brushes panel and Symbols panel. They are all part of the same panel group. Click the Symbols panel tab to view the Symbols panel. Notice that a new panel group appears, and the panel group that contained the Swatches panel collapses. A check mark to the left of the panel name indicates that the panel is already open and in front of other panels in its panel group.
If you choose a panel name that is already selected in the Window menu, the panel and its group collapses. Click the double arrow at the top of the dock to expand the panels. Click the double arrow again to collapse the panels. Use this method to show more than one panel group at a time.
Your panels may look different when expanded, and thats okay. Click to expand. Click to collapse. The dock collapsed. To decrease the width, click and drag the left edge of the docked panels to the right until the text disappears. Press Tab again to show them all again. Notice that the panel stays collapsed as an icon when it is free-floating.
Click the double arrow in the Swatches panel title bar to expand the panel so you can see its contents. Pi 4th - 26th, It's that tUV of year again! The farm comes to Ilf pumpkin festival is back. You can also move panels from one panel group to another.
In this way you can create custom panel groups that contain the panels you use most often. You can also right-click or Ctrl-click a docked panel tab and choose Close from the menu. Release the mouse button when you see a blue outline around the Brushes panel group.
Click the Color Guide panel tab to make sure it's selected. Double-click the panel tab to reduce the size of the panel. Double-click the tab again to minimize the panel. This can also be done when a panel is free-floating not docked.
Note: Many panels only require that you double-click the panel tab twice to return to the full- size view of the panel. If you double-click one more time, the panel fully expands. Next, you will resize a panel group, which can make it easier to see more important panels. Drag the dividing line between the Symbols panel group and the Stroke panel group up to resize the group. Note: You may not be able to drag the divider very far, depending on your screen size, screen resolution, and number of panels expanded.
Panel groups can be docked, undocked, and arranged in either collapsed or expanded modes. Drag the title bar of the Align panel group to the docked panels on the right side of the workspace. Position the pointer below the group that the Symbols panel icon H is in so that a single blue line appears.
Release the mouse button to create a new group in the dock. Note: Ifyoudraga group into the dock and drop it into an existing group, the two groups merge. Reset the workspace and open the panel group to try again. Next, you will drag a panel from one group to another in the docked panels. A blue line appears between the Color panel icon and the Color Guide panel icon, outlining the Color panel group in blue.
Arranging the panels in groups can help you work faster. A docked panel can also be collapsed and resized to conserve even more space. Resetting and saving your workspace You can reset your panels and Tools panel to their default position, which youve been doing throughout this lesson. You can also save the position of panels so that you can easily access them at any time by creating a workspace.
Next, you will create a workspace to access a group of commonly used panels. Click and drag the Pathfinder panel tab to the right side of the workspace. When the pointer approaches the left edge of the docked panels, a blue line appears. Release the mouse button to dock the panel. Click the Close button X in the upper-right corner Windows or upper-left corner Mac OS to close the remaining panel group, which contains the Align and Transform panels.
The workspace named Navigation is now saved with Illustrator until you remove it. Notice that the panels return to their default positions. Select the workspace name, and click the Delete Workspace button. In the New Workspace dialog box, name the workspace with the original name. A message appears in the dialog box warning that you will overwrite an existing workspace with the same name if you click OK. Using panel menus Most panels have a panel menu in the upper-right corner.
Next, you will change the display of the Symbols panel using its panel menu. This displays the symbol names, together with thumbnails. Because the options in the panel menu apply only to the active panel, only the Symbols panel view is affected. Click the Symbols panel tab to hide the panel again. In addition to the panel menus, context-sensitive menus display commands relevant to the active tool, selection, or panel.
The context-sensitive menu shown here is displayed when you right-click Windows or Ctrl-click Mac OS the artboard with nothing selected. The magnification level, which can range from 3. Using any of the viewing tools and commands affects only the display of the artwork, not the actual size of the artwork. Each time you choose a Zoom option, the view of the artwork is resized to the closest preset zoom level.
The preset zoom levels appear in a menu in the lower-left corner of the Document window, identified by a down arrow next to a percentage. You can also use the View menu to fit the artwork for the active artboard to your screen, to fit all artboards into the view area, or to view artwork at actual size.
You will see all artboards in the document displayed in the Document window. A reduced view of the active artboard is displayed in the window. The artwork is displayed at a higher magnification. The view is increased again, and you'll notice that the area you clicked is magnified. Next, you'll reduce the view of the artwork. A minus sign - appears at the center of the Zoom tool pointer.
Continue holding the key down for the next step. For a more controlled zoom, you can drag a marquee around a specific area of your artwork. This magnifies only the selected area. When you see the marquee around the area you are dragging, release the mouse button. The marqueed area is now enlarged to fit the size of the Document window. Created with pure sunshine. If you decide to use these shortcuts in Illustrator, you may want to turn off or change those keyboard shortcuts in the Mac OS System Preferences.
The Zoom tool is used frequently during the editing process to enlarge and reduce the view of artwork. Because of this, Illustrator allows you to select it using the keyboard at any time without first deselecting any other tool you may be using.
Click or drag to zoom in on any area of the artwork, and then release the keys. Click the desired area to reduce the view of the artwork, and then release the keys.
Scrolling through a document You can use the Hand tool to pan to different areas of a document. Using the Hand tool allows you to push the document around much like you would a piece of paper on your desk.
As you drag, the artwork moves with the hand. Note: The spacebar shortcut for the Hand tool does not work when the Type tool is active and your cursor is in text.
When you're working with large or complex illustrations, you may want to view only the outlines, or wireframes, of objects in your artwork so that the screen doesn't have to redraw the artwork each time you make a change. This is called Outline mode. This custom view was saved with the document. Name the view, and click OK; it is saved with the document. Only the outlines of the objects are displayed. Use this view to find objects that might not be visible in Preview mode.
This view is helpful for those in the print industry who need to see how inks interact when set to overprint. You may not actually see much of a change in the logo when you change to this mode. Note: When switching between viewing modes, visual changes may not be readily apparent. This is a great way to create a multi-page document so that you can have collateral pieces like a brochure, a postcard, and a business card in the same document.
You can easily share content between pieces, create multi-page PDFs, and print multiple pages by creating multiple artboards. You can also add or remove artboards after the document is created using the Artboard tool in the Tools panel. Next, you will learn how to efficiently navigate a document with multiple artboards.
Notice that there are two artboards in the document. The artboards in a document can be arranged in any order, orientation, or artboard size-they can even overlap. Suppose that you want to create a four-page brochure. You can create different artboards for every page of the brochure, all with the same size and orientation. They can be arranged horizontally or vertically or in whatever way you like. The brochure. This command fits the currently active artboard in the window.
The active artboard is identified in the Artboard Navigation menu in the lower-left corner of the Document window. The back of the brochure appears in the Document window. Notice that zooming occurs on the currently active artboard. You can use these to navigate to the first D , previous m next 0, and last DD artboards. Note: Since there are only two artboards in this document, you could have also clicked the First button m in this step. Another method for navigating multiple artboards is to use the Artboards panel.
Next, you will open the Artboards panel and navigate the document. The Artboards panel lists all artboards in the document. This panel allows you to navigate between artboards, rename artboards, add or delete artboards, edit artboard settings, and more.
Next, you will focus on navigating the document using this panel. This fits Artboard 2 in the Document window. Note: Double-clicking the artboard name in the Artboards panel allows you to change the name of the artboard. Clicking the artboard icon 0 to the right of the artboard name in the panel allows you to edit artboard options. Notice that when you double-click to navigate to an artboard, that artboard is fit in the Document window. You can specify the number of artboards for a document when you create it, and you can add and remove artboards at any time while working in a document.
You can create artboards of different sizes, resize them with the Artboard tool, and position them on the screen — they can even overlap each other. Artboard overview Artboards represent the regions that can contain printable artwork similar to pages in a program like Adobe InDesign.
You can use artboards to crop areas for printing or placement purposes. Printable area B. Nonprintable area C. Edge of the page D. Artboard E. Bleed area F. Canvas A. Printable area is bounded by the innermost dotted lines and represents the portion of the page on which the selected printer can print. Many printers cannot print to the edge of the paper.
Don't get confused by what is considered nonprintable. Nonprintable area is between the two sets of dotted lines representing any nonprintable margin of the page. This example shows the nonprintable area of an 8. The printable and nonprintable area is determined by the printer selected in the Print Options dialog box.
Edge of the page is indicated by the outermost set of dotted lines. Artboard is bounded by solid lines and represents the entire region that can contain printable artwork.
Bleed area is the amount of artwork that falls outside of the printing bounding box, or outside the crop area and trim marks. You can include bleed in your artwork as a margin of error — to ensure that the ink is still printed to the edge of the page after the page is trimmed. Canvas is the area outside the artboard that extends to the edge of the " square window.
Objects placed on the canvas are visible on-screen, but they do not print. This is useful when you need to see all artboards in the document in one window and edit content in any of those artboards in a zoomed in view. It is free-floating in the workspace. As you drag the slider, the red box in the Navigator panel, called the proxy view area, becomes larger, indicating the area of the document that is being shown.
Depending on the zoom percentage, you may or may not see the proxy view area yet, but you will. Drag the proxy view area over the logo in the lower-right corner of the brochure cover. Note: Dragging the slider in the Navigator panel tends to jump the magnification to set values. To zoom more precisely, type in a value in the lower-left corner of the Navigator panel.
This moves the box and displays a different area of the artwork in the Document window. For example, you can change the color of the view box. Notice the logo on the canvas. Note: You may need to adjust the slider in the Navigator panel to see the logo in the proxy view area.
Understanding rulers Rulers can help you accurately place and measure objects in your document and are displayed in each document by default.
Horizontal and vertical rulers appear at the top and left sides of each Document window. The place where 0 appears on each ruler is called the ruler origin. Next, you will explore the rulers by turning them on and off and noticing where the ruler origin is located on each artboard. Notice that the 0 for the horizontal ruler is aligned with the left edge of the first artboard, and the 0 for the vertical ruler on the left side of the Document window is aligned with the top edge of the artboard.
Arranging multiple documents When you open more than one Illustrator file, the Document windows are tabbed. You can arrange the open documents in other ways, such as side by side, so that you can easily compare or drag items from one document to another. You can also use the Arrange Documents window to quickly display your open documents in a variety of configurations.
Next, you will open several documents. Click Open to open both files at once. You should now have three Illustrator files open: brochure. Each file has its own tab at the top of the Document window. This eBook includes the following formats, accessible from your Account page after purchase:. EPUB The open industry format known for its reflowable content and usability on supported mobile devices. This eBook requires no passwords or activation to read.
We customize your eBook by discreetly watermarking it with your name, making it uniquely yours. The 15 project-based lessons in this book show readers step-by-step the key techniques for working in Illustrator CS6 and how to create vector artwork for virtually any project and across multiple media: print, websites, interactive projects, and video.
In addition to learning the key elements of the Illustrator interface, this completely revised CS6 edition covers the new tracing engine with improved shape and color recognition, a new pattern toolset with on-artboard controls and one-click tiling, a completely overhauled performance engine and modernized user interface for working more efficiently and intuitively, and more.
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